Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

[churchgirl]

We are often told to give a person his/her flowers while they are alive but we almost always seem to let that moment slip by. The history of Jamaicans.com cannot be written without Marcia Davidson. “She joined the website in 1996 as the very first moderator and revolutionized our bulletin boards. Her ideas grew our forums to what it is today and there are many articles she has written for the site which provided information to many Jamaicans.com site visitors.” She loved the Jamaicans.com website and the community here and we in turn loved her.

Who better to tell us about her than her: (from the site contributors’ page).


Hiya! I'm Marcia Davidson, a.k.a. Ackeegirl. One of the daughters of Kingston, Jamaica. I received my Primary & Tertiary Education: Kingston, Jamaica and my Professional & Post Secondary Education: Ontario, Canada. Currently I am a Business Administration & Information Systems Professional working in the Service of the Government.

MY INTERESTS: Motivational thinking. All things Jamaican. The positive upliftment of my people - each one teach one. Advancing and advocating the emerging Jamaican Influence on the world village. Doing mylittle part to keep the flag flying.

FUN THINGS I LIKE: The X-Files series. Surfing the "net". Breakfast at Hillshire Beach ("Festival" and "Fried Fish"). Boston "Jerk Chicken." A good Jump-up session at Asylum. The odd weekend at Trident. The buzzing of the Hummingbird on the hibiscus tree while I read a book under a cool shady tree and drinking some jelly coconut water. An evening of laughter at the Pantomime. Any weekday or night rafting on the Rio Grande. Sunday morning at church just giving Praise and fellowshipping. An opportunity to explain to all foreigners that I am from the "De Rock" that the Capturer Christobal Colon calls "Oracabessa, De Rock of Gold, the finest eyes have behold." A helicopter ride up to New Castle and Cinchona Gardens. A sunset dinner in Negril. The odd drink at Peppers and small talk with longtime friends.

PHILOSOPHY: Success can be its own undoing. It can breed complacency, false pride and personal under-development. These are the enemies of self-esteem and of excellence.

"We are what we repeatedly do. Excellence then is not an act, but a habit." – Aristotle.

Today, though untimely, we offer you your flowers Marcia. We salute you for who you are, the qualities you possessed and most importantly for ever so gently, but assuredly, touching our lives in your own special way.

[Porty-48]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Thanks for sharing this Churchgirl - it's the first time I've read this and it's truly Marcia.

The following poem I placed in my father's bulletin in 1990 and it's still very dear to me - I feel it also speaks volume about Marcia - I hope you don't mind me placing it here (with advanced thanks).

The Soul's Retreat

There is a place, a secret place,
The path God's saints have trod.
So calm and sweet, a sure retreat,
'Tis hid with Christ in God.

A place of rest, no foes molest,
Though storms may lash and beat,
A place so blest, on Jesus' breast,
A sanctuary sweet.

"O, yes, I cared, thy pain I shared,
I bore the yoke with thee.
I went before, thy sufferings bore,
Back there on Calvary.

This is the place, the resting place,
So dear to all who've trod
So calm and sweet, faith's blest retreat,
'Tis hid with Christ in God.
--- Selected

Sweet be her rest until we all meet again.

[Guest]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Very nice. Thank you Churchgirl.

[QK13]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

((((Churchgirl))))
Thanks.

[bandido1]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Thanx Churchie; she never gave up hope, even to the end.

Hope

When all seems Lost
And the end seems near,
And confusion abounds
In a climate of fear,
One's soul often resorts to yearning.

Be of good cheer!
Continue your rounds!
Living should not now end
While one's above ground,
And as yet to complete his learning!

Pick yourself up!
And reach for that rope!
Knowing with all your heart
That you didn't lose hope,
But stood fast while the tide was turning!


Copyright ©1997 Lionel G. Forrester, Sr.

[yardie in lakeland]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Well said c-girl, p-48 and bandy.

[stargirl911]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

((churchgirl, porty48 & bandido1)) BEAUTIFUL, thanks [img]/forums/images/graemlins/smile.gif[/img]

[churchgirl]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

You're welcome all. It's the very least I could do and I'm so honoured to do it.

The Lord saw that you were weary,
And so he took you home.
It hurts to see you go but the Lord knows best.
Our hearts ache with sadness
And our tears still flow.

What it means to loose you
Only God in heaven knows.
Sadly missed by your fellow board mates,
friends and family.

Sleep on Ackeegirl, take your rest.

[sistagirl]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

[img]/forums/images/graemlins/frown.gif[/img] beautiful

*sigh*

[chickie]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

sob sob sob

[DC]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Originally posted by chickie:
[qb] sob sob sob [/qb]

(((hush hush hush chickie))))

**long sigh** Doing mylittle part to keep the flag flying...you've done well ackeeG

[tonirand]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

PHILOSOPHY: Success can be its own undoing. It can breed complacency, false pride and personal under-development. These are the enemies of self-esteem and of excellence.

This I like...

Good move Churchgirl.

[britisha]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Thank you, Thank you, Thank you Churchgirl for this beautiful tribute.

[babydoll]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Thanks (((churchgirl))))

[britisha]

Re: Spotlight on a Jamaicans.com figure – Marcia “ackeegirl” Davidson

Churchie, is mee agen. Mi did e-mail X-man to see if it would be okay to post this; however since you started this thread, and since mi found this last week on the net while searching, I figured it will be okay to add it here. She had posted this also in the Music forum some time ago when shi did still post as Maawcia.internet source

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Jamaican Music
Home >> Jamaican Music >> Routes of Reggae

Routes of Reggae
by Marcia Davidson

Jamaican music, like our other cultural expressions, came into being through the process of time and evolution. With more than 300 years of continuous history, our people have developed a homogeneous community. The fabric of our music is woven of many threads and the sources are varied and many, with European and African influences. However the blend is uniquely Jamaican.

Jamaican music rhythms have been a common denominator in the music of the other islands of the West Indies.

Reggae, Jamaica's popular sound, was developed from the folk-mento forms. And, at that time the United States was warming to rock 'n roll, which displaced the popular rhythm and blues.

While Jamaica was still under the colonial system in the mid-1950s, the roots of reggae sprouted. Up to that time, the popular music on the island reflected the sounds of Britain and the United States.

Our folk music - digging and mento songs - thrived mainly in the rural parts. With the growth of the industrial sector, especially bauxite, our people gravitated to urban centres.

People who came to Kingston seeking work were encouraged by the wonder of the radio, and the jukebox, which was only just appearing in bars, clubs and other social centres. Recording studios produced mainly saucy mento rhythms primarily for the tourist industry. But people of the depressed communities of Kingston found the mento music irrelevant to their lifestyle and as a vehicle of statement. As a result, they developed the sound system as a medium of communication, complemented by the Blues Dance. The American rhythm and blues, produced by urban blacks, shared a similar development pattern. The sound system provided the medium for this imported music.

Subsequently, the big sound operators began manufacturing their own sets, which they used at dance sessions. Alongside this came their first records, which were based on the R&B formula, but included cutting brass, gutsy saxophones, shuffling rhythms and the all-powerful bass.

It was then that Jamaica's two foremost sound systems - Sir Coxsone's Downbeat and Duke Reid's Treasure Isle systems - built recording studios and launched a competition for exclusivity of records played.

And so, it was against this background that Jamaica's music entered the 1960s. The ordinary people danced in the dance halls and open air to music of Laurel Aitkin, Theophelus Beckford, Owen Grey, Clue Ja and the Blues Busters. The Jamaican music quickly assumed shape and took on a unique up-tempo beat. And that was how the ska was born.

It was a type of 12-bar rhythm and blues framework featuring a shuffling rhythm with accents on the second and fourth beats. The syncopated "after beat" was provided by the guitar and piano. Then came Don Drummond along with others, who were all steeped in jazz and rhythm and blues sounds. They were also versed in the music of the wider Caribbean and Latin America. Don and the Eric Dean's band toured Cuba, Haiti and other areas and earned the "yard name" Session Men. The recording industry became popular and the artistes met with much success on the dance circuit.

Don Drummond, along with some of the greatest sessions men in the island, came together and formed the Skatelites band.

It should be noted that the styles of the musicians had far-reaching effects on generations of Jamaican musicians. Other good musicians like Rico Rodriques and Baba Brooks gave them rivalry.

However, in the mid-sixties the band was disbanded. It was after this that the Jamaican society realised that they had something unique. A great number of stage shows sprang up and the recording industry, nightclubs and radio stations began showing great interest in the "new music."

It should be noted that the sound managed to preserve its identity in light of growing commercialism. This also provided an avenue for the young people of the inner-city communities to make a name for themselves through recordings and performing at dance sessions.

Many of them grew to international recognition. Among them are Bob Marley, Jimmy Cliff, Ken Boothe and Toots Hibbert.

During this time, Rastafarian music, with its chanting and syncopated drumming and spiritual messages, which seemed then to appeal to the more aggressive males of the depressed areas began to influence both rhythm and lyrics.

The ska era created many instrumental heroes, of which Don Drummond, headed the list. After his tragic death, young musicians began searching for new musical directions suited to their skills.

The music evolved into rock steady. Its birth came at a time when sound systems were facing keen competition from the middle-class disco music. Hence big bands had to be content with "session" work and stage show gigs.

Rock steady had catchy dance moves and with the sound Ken Booth, Bob Marley, Alton Ellis, Heptones and Slim Smith took the spotlight.

Reggae, which came out of ska and rock steady, took our music into the 1970s. Music and recording became big business and new studios sprang up everywhere, featuring the latest and most sophisticated equipment.

Jamaica attracted people from around the globe, who came to record and enjoy our new music. And soon we carved out a niche in the international recording market.

Jamaicans living in Great Britain then caused labels, such as Island and Trojan, to capitalise on this and in so doing broadened the scope of the Jamaican music industry.

Prolific performers such as Millie Small, with her hit song "My Boy Lollipop" and Desmond Dekker with "Poor Me Israelite" were the forerunners of Jamaican music overseas. Jimmy Cliff and others successfully followed them.

Bob Marley took this new Jamaican music even into other countries of Europe and other continents.

Shop Now for music by the artists featured in History of Jamaican Music.

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